Guestbook

CLICK HERE TO LEAVE MESSAGE for Agya Koo Nimo


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


Just desire to say yohr article is as surprising. The clearness on your post iis just cool and i can assume you arre an expert on this subject. Fine alog with youur permission allow me to clutch yohr RSS fesed to stay up too date with drawing close post. Thanks 1,000,000 and please continue the rewarding work. http://maps.google.be/url?q=https://comprarcialis5mg.org/ Hilton (Hilton)

CL


This is a topic which is close to my heart... Cheers! Exactly where are your contact details though? https://gastonogtl97qs.medium.com/sociological-autobiography-d72a9470534d college essay writing service college essay writkng service

BY


Dear Sir, Greetings, my name is Princess Poku-Ansah, an attorney and I am also the founder of "the Best Version of You intl. podcast for YA.' (anchor.fm/princess-poku-ansah) and (https:ximenabarbarasolar.wixsite.com/ourfreedom) Please Sir, I run few segments on the podcast and this year, I strongly want to introduce a segment namely, "Palm Wine Music & Tales". Please Sir, I shall be grateful if you permit me to use any of your beautifully composed songs as the introduction music. Please I also do not mind if you instruct me to use a specific one that you desire. I am doing this because I love palm wine music . Thank you Sir and I look forward to your response.

Princess Poku-Ansah


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


Косц http://koonimo.org/ 1

Косц http://koonimo.org/ 1


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


koonimo.org


domstates.su


info23


Agya Koo Nimo you really make me to be an Ashanti and more importantly a Ghanaian. Thanks for your rich songs.

Richard Oppong


“You will be a great musician,” you told me. The words wrapped themselves around something in my heart, and something in my heart wrapped itself around the words. Neither will let go; and the rain still paints perfect squares on the cement, and I think of you still and often, and dance still and often to your music, which flows like water.

Ethan Kogan, Ilinois, USA


Your palm wine music records an ageless history for the generations makes us high on life. In your tongue what at first seems passing, temporal, ephemeral, accumulates: like individual grains of sand becoming the spectacular architecture of the anthills, slowly, unseen, until the landscape is unimaginable without them.

Professor Abena Busia, New Brunswick, USA


His allowing me to share a little of my gift with him buoyed up my life so much while I was in Ghana. Not only for me and the others who have had the pleasure of hearing and seeing him, but he is a national treasure for Ghanaians. My hope is that they know how fortunate they are to be passing through life while Agya Koo Nimo is in the world.

Quanda Johnson, New York, USA


The personality Koo Nimo is a rare artist, philosopher and teacher. Eloquent in Asante and English, Agya Koo has sung his way across the world and lectured in several universities, where he brings Ghanaian wit and wisdom to life, with words and fingers.

Professor Kwesi Yankah, Accra, Ghana


His strengths lie in composition and performance in unique contemporary and traditional contexts: understanding the deep structures of traditional African music, Palm Wine guitar and ensemble styles, Highlife/Jazz, and storytelling with guitar and vocals, including spoken word, poetry, and song

Royal Hartigan Ph.D., Massachusetts, USA


Koo was not simply a traditional musician, but a worldly and well-versed proponent of Ghanaian traditions and culture who was widely recognized and respected. I am always especially impressed that Koo was such a champion of traditional music while at the same time deeply connected with Ghanaian popular music history.

Chris Lesser, Melbourne, Australia


Agya Koo Nimo has been central to the success of the Brooklyn College Study Abroad to Ghana program and has had a tremendous impact on the Brooklyn College Abroad students and faculty who have been privileged to know him, work with him, and learn from him. I am happy to attest that he is a national and international treasure, and it is a personal joy to have been able to call him a friend and colleague for all these years.

Lynda R. Day, Ph.D., New York, USA






  • Your palm wine music records an ageless history for the generations makes us high on life. In your tongue what at first seems passing, temporal, ephemeral, accumulates: like individual grains of sand becoming the spectacular architecture of the anthills, slowly, unseen, until the landscape is unimaginable without them.

    Professor Abena Busia, New Brunswick, USA

  • Agya Koo Nimo has been central to the success of the Brooklyn College Study Abroad to Ghana program and has had a tremendous impact on the Brooklyn College Abroad students and faculty who have been privileged to know him, work with him, and learn from him. I am happy to attest that he is a national and international treasure, and it is a personal joy to have been able to call him a friend and colleague for all these years.

    Lynda R. Day, Ph.D., New York, USA

  • Koo was not simply a traditional musician, but a worldly and well-versed proponent of Ghanaian traditions and culture who was widely recognized and respected. I am always especially impressed that Koo was such a champion of traditional music while at the same time deeply connected with Ghanaian popular music history.

    Chris Lesser, Melbourne, Australia

  • His strengths lie in composition and performance in unique contemporary and traditional contexts: understanding the deep structures of traditional African music, Palm Wine guitar and ensemble styles, Highlife/Jazz, and storytelling with guitar and vocals, including spoken word, poetry, and song.

    Royal Hartigan Ph.D., Massachusetts, USA

  • The personality Koo Nimo is a rare artist, philosopher and teacher. Eloquent in Asante and English, Agya Koo has sung his way across the world and lectured in several universities, where he brings Ghanaian wit and wisdom to life, with words and fingers.

    Professor Kwesi Yankah, Accra, Ghana

  • “You will be a great musician,” you told me. The words wrapped themselves around something in my heart, and something in my heart wrapped itself around the words. Neither will let go; and the rain still paints perfect squares on the cement, and I think of you still and often, and dance still and often to your music, which flows like water.

    Ethan Kogan, Ilinois, USA

  • His allowing me to share a little of my gift with him buoyed up my life so much while I was in Ghana. Not only for me and the others who have had the pleasure of hearing and seeing him, but he is a national treasure for Ghanaians. My hope is that they know how fortunate they are to be passing through life while Agya Koo Nimo is in the world.

    Quanda Johnson, New York, USA